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Box RG99.01

 Container

Contains 18 Results:

Laurence Sickman Files, 1948-1950

 File — Box: RG99.01, Folder: 01
Identifier: RG. 99. Series I
Scope and Contents Note From the Series: This series, arranged chronologically, is composed entirely of correspondence to and from Laurence Sickman, who held the position of Assistant Director from the creation of the position in 1946 until he was promoted to acting Director in 1953. The letters contained are predominately from individuals or employees of other museums asking for advice on purchasing art or requesting to view portions of the Museum’s art collection. Also included in this series are letters to and from Katherine...
Dates: 1948-1950

Laurence Sickman Files, 1950

 File — Box: RG99.01, Folder: 02
Identifier: RG. 99. Series I
Scope and Contents Note From the Series: This series, arranged chronologically, is composed entirely of correspondence to and from Laurence Sickman, who held the position of Assistant Director from the creation of the position in 1946 until he was promoted to acting Director in 1953. The letters contained are predominately from individuals or employees of other museums asking for advice on purchasing art or requesting to view portions of the Museum’s art collection. Also included in this series are letters to and from Katherine...
Dates: 1950

Laurence Sickman Files, 1950

 File — Box: RG99.01, Folder: 03
Identifier: RG. 99. Series I
Scope and Contents Note From the Series: This series, arranged chronologically, is composed entirely of correspondence to and from Laurence Sickman, who held the position of Assistant Director from the creation of the position in 1946 until he was promoted to acting Director in 1953. The letters contained are predominately from individuals or employees of other museums asking for advice on purchasing art or requesting to view portions of the Museum’s art collection. Also included in this series are letters to and from Katherine...
Dates: 1950

Laurence Sickman Files, 1951-1953

 File — Box: RG99.01, Folder: 04
Identifier: RG. 99. Series I
Scope and Contents Note From the Series: This series, arranged chronologically, is composed entirely of correspondence to and from Laurence Sickman, who held the position of Assistant Director from the creation of the position in 1946 until he was promoted to acting Director in 1953. The letters contained are predominately from individuals or employees of other museums asking for advice on purchasing art or requesting to view portions of the Museum’s art collection. Also included in this series are letters to and from Katherine...
Dates: 1951-1953

Correspondence, 1966

 File — Box: RG99.01, Folder: 05
Identifier: RG. 99. Series II. Sub-Series A
Scope and Contents From the Sub-Series: This sub-series, arranged chronologically, contains letters to and from Ralph Coe. Of particular note in this sub-series are several letters from Harold Parsons in 1967, late 1960s letters from various artists (Keeichi Hayano, Stanley Landsman, Roy Lichtenstein, Robert Rauschenberg, Wayne Thiebaud, Ernest Trova, and Tom Wesselman) regarding prints for the Print Society to sell, and letters from 1974 related to Coe’s trip to Europe to find potential Indian art to use in the ...
Dates: 1966

Correspondence, 1967

 File — Box: RG99.01, Folder: 06
Identifier: RG. 99. Series II. Sub-Series A
Scope and Contents From the Sub-Series: This sub-series, arranged chronologically, contains letters to and from Ralph Coe. Of particular note in this sub-series are several letters from Harold Parsons in 1967, late 1960s letters from various artists (Keeichi Hayano, Stanley Landsman, Roy Lichtenstein, Robert Rauschenberg, Wayne Thiebaud, Ernest Trova, and Tom Wesselman) regarding prints for the Print Society to sell, and letters from 1974 related to Coe’s trip to Europe to find potential Indian art to use in the ...
Dates: 1967

Correspondence, 1968

 File — Box: RG99.01, Folder: 07
Identifier: RG. 99. Series II. Sub-Series A
Scope and Contents From the Sub-Series: This sub-series, arranged chronologically, contains letters to and from Ralph Coe. Of particular note in this sub-series are several letters from Harold Parsons in 1967, late 1960s letters from various artists (Keeichi Hayano, Stanley Landsman, Roy Lichtenstein, Robert Rauschenberg, Wayne Thiebaud, Ernest Trova, and Tom Wesselman) regarding prints for the Print Society to sell, and letters from 1974 related to Coe’s trip to Europe to find potential Indian art to use in the ...
Dates: 1968

Correspondence, 1969

 File — Box: RG99.01, Folder: 08
Identifier: RG. 99. Series II. Sub-Series A
Scope and Contents From the Sub-Series: This sub-series, arranged chronologically, contains letters to and from Ralph Coe. Of particular note in this sub-series are several letters from Harold Parsons in 1967, late 1960s letters from various artists (Keeichi Hayano, Stanley Landsman, Roy Lichtenstein, Robert Rauschenberg, Wayne Thiebaud, Ernest Trova, and Tom Wesselman) regarding prints for the Print Society to sell, and letters from 1974 related to Coe’s trip to Europe to find potential Indian art to use in the ...
Dates: 1969

Correspondence, 1970

 File — Box: RG99.01, Folder: 09
Identifier: RG. 99. Series II. Sub-Series A
Scope and Contents From the Sub-Series: This sub-series, arranged chronologically, contains letters to and from Ralph Coe. Of particular note in this sub-series are several letters from Harold Parsons in 1967, late 1960s letters from various artists (Keeichi Hayano, Stanley Landsman, Roy Lichtenstein, Robert Rauschenberg, Wayne Thiebaud, Ernest Trova, and Tom Wesselman) regarding prints for the Print Society to sell, and letters from 1974 related to Coe’s trip to Europe to find potential Indian art to use in the ...
Dates: 1970

Correspondence, 1971

 File — Box: RG99.01, Folder: 10-11
Identifier: RG. 99. Series II. Sub-Series A
Scope and Contents From the Sub-Series: This sub-series, arranged chronologically, contains letters to and from Ralph Coe. Of particular note in this sub-series are several letters from Harold Parsons in 1967, late 1960s letters from various artists (Keeichi Hayano, Stanley Landsman, Roy Lichtenstein, Robert Rauschenberg, Wayne Thiebaud, Ernest Trova, and Tom Wesselman) regarding prints for the Print Society to sell, and letters from 1974 related to Coe’s trip to Europe to find potential Indian art to use in the ...
Dates: 1971