Box RG25/35.01

This sub-series contains early correspondence on acquiring possible loans from outside the five museum consortium, correspondence between consortium curators and the museum directors discussing which works to include in the final exhibit, approved samples of labels and didactics, and various slides and diagrams indicating selection and placement of works.

This sub-series contains early correspondence on acquiring possible loans from outside the five museum consortium, correspondence between consortium curators and the museum directors discussing which works to include in the final exhibit, approved samples of labels and didactics, and various slides and diagrams indicating selection and placement of works.

This sub-series contains early correspondence on acquiring possible loans from outside the five museum consortium, correspondence between consortium curators and the museum directors discussing which works to include in the final exhibit, approved samples of labels and didactics, and various slides and diagrams indicating selection and placement of works.

This sub-series contains early correspondence on acquiring possible loans from outside the five museum consortium, correspondence between consortium curators and the museum directors discussing which works to include in the final exhibit, approved samples of labels and didactics, and various slides and diagrams indicating selection and placement of works.

This sub-series contains early correspondence on acquiring possible loans from outside the five museum consortium, correspondence between consortium curators and the museum directors discussing which works to include in the final exhibit, approved samples of labels and didactics, and various slides and diagrams indicating selection and placement of works.

This sub-series contains early correspondence on acquiring possible loans from outside the five museum consortium, correspondence between consortium curators and the museum directors discussing which works to include in the final exhibit, approved samples of labels and didactics, and various slides and diagrams indicating selection and placement of works.

This sub-series contains early correspondence on acquiring possible loans from outside the five museum consortium, correspondence between consortium curators and the museum directors discussing which works to include in the final exhibit, approved samples of labels and didactics, and various slides and diagrams indicating selection and placement of works.

This sub-series consists of working files and reference images from Nelson-Atkins Museum Curator of American Art Henry Adams’ preliminary curation of the exhibition and correspondence between Henry Adams and various individuals, including Marc Wilson (Director of the Nelson-Atkins Museum).

This sub-series consists of working files and reference images from Nelson-Atkins Museum Curator of American Art Henry Adams’ preliminary curation of the exhibition and correspondence between Henry Adams and various individuals, including Marc Wilson (Director of the Nelson-Atkins Museum).