Box RG25/35.01

Scope and Contents From the Sub-Series:

This sub-series contains early correspondence on acquiring possible loans from outside the five museum consortium, correspondence between consortium curators and the museum directors discussing which works to include in the final exhibit, approved samples of labels and didactics, and various slides and diagrams indicating selection and placement of works.

Scope and Contents From the Sub-Series:

This sub-series contains early correspondence on acquiring possible loans from outside the five museum consortium, correspondence between consortium curators and the museum directors discussing which works to include in the final exhibit, approved samples of labels and didactics, and various slides and diagrams indicating selection and placement of works.

Scope and Contents From the Sub-Series:

This sub-series contains early correspondence on acquiring possible loans from outside the five museum consortium, correspondence between consortium curators and the museum directors discussing which works to include in the final exhibit, approved samples of labels and didactics, and various slides and diagrams indicating selection and placement of works.

Scope and Contents From the Sub-Series:

This sub-series contains early correspondence on acquiring possible loans from outside the five museum consortium, correspondence between consortium curators and the museum directors discussing which works to include in the final exhibit, approved samples of labels and didactics, and various slides and diagrams indicating selection and placement of works.

Scope and Contents From the Sub-Series:

This sub-series consists of working files and reference images from Nelson-Atkins Museum Curator of American Art Henry Adams’ preliminary curation of the exhibition and correspondence between Henry Adams and various individuals, including Marc Wilson (Director of the Nelson-Atkins Museum).

Scope and Contents From the Sub-Series:

This sub-series consists of working files and reference images from Nelson-Atkins Museum Curator of American Art Henry Adams’ preliminary curation of the exhibition and correspondence between Henry Adams and various individuals, including Marc Wilson (Director of the Nelson-Atkins Museum).

Scope and Contents From the Series: This series contains documents relating to the planning stages of the consortium exhibition, including correspondence between the five museums, internal correspondence between Marc Wilson and Henry Adams at the Nelson-Atkins, meeting minutes, memos titled “American Art Consortium Updates,” budgets and other financial documents, the consortium contract, and preparatory materials for various grant applications including the Ford Motor Company, the John S. and James L. Knight Foundation, and...

Scope and Contents From the Series: This series contains documents relating to the planning stages of the consortium exhibition, including correspondence between the five museums, internal correspondence between Marc Wilson and Henry Adams at the Nelson-Atkins, meeting minutes, memos titled “American Art Consortium Updates,” budgets and other financial documents, the consortium contract, and preparatory materials for various grant applications including the Ford Motor Company, the John S. and James L. Knight Foundation, and...

Scope and Contents From the Series: This series contains documents relating to the planning stages of the consortium exhibition, including correspondence between the five museums, internal correspondence between Marc Wilson and Henry Adams at the Nelson-Atkins, meeting minutes, memos titled “American Art Consortium Updates,” budgets and other financial documents, the consortium contract, and preparatory materials for various grant applications including the Ford Motor Company, the John S. and James L. Knight Foundation, and...