Box RG01/04.08
Contains 39 Results:
Correspondence, October 2005 - November 2005
This series, arranged chronologically, consists of letters, cards, and memos to and from Marc Wilson. The correspondents include staff members, donors, other museum professionals, collectors, art dealers, community leaders, and museum visitors. Correspondence is also found in Series V: Subject Files.
Correspondence, December 2005
This series, arranged chronologically, consists of letters, cards, and memos to and from Marc Wilson. The correspondents include staff members, donors, other museum professionals, collectors, art dealers, community leaders, and museum visitors. Correspondence is also found in Series V: Subject Files.
Correspondence, 2006; 2008-2010, 2008-2010
This series, arranged chronologically, consists of letters, cards, and memos to and from Marc Wilson. The correspondents include staff members, donors, other museum professionals, collectors, art dealers, community leaders, and museum visitors. Correspondence is also found in Series V: Subject Files.
Maya: Treasures of an Ancient Civilization, 1984-1986
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Praise Poems: The Katherine White Collection, 1984-1986
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Frederic James: A Painter from Kansas City, 1985-1986
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Made in the USA: An Americanization of Modern Art, 1985
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Red Grooms: The Graphic Works 1957-1981, 1985
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
A Bountiful Decade: Selected Acquisitions 1977-1987, 1987
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Ellsworth Kelly: Works on Paper, 1986
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.