Box RG01/04.08
Contains 39 Results:
Frederic James: A Painter from Kansas City, 1985-1986
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Made in the USA: An Americanization of Modern Art, 1985
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Red Grooms: The Graphic Works 1957-1981, 1985
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
A Bountiful Decade: Selected Acquisitions 1977-1987, 1987
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Ellsworth Kelly: Works on Paper, 1986
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
The Chinese Scholars Studio: Artistic Life in the Late Ming Period, 1987-1988
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Donald Jackson: Painting with Words, 1987
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Faberge Silver from the Forbes Collection, 1988
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Fred Shane, 1987
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.