Box RG99.01

Scope and Contents From the Sub-Series: This sub-series, arranged chronologically, contains letters to and from Ralph Coe. Of particular note in this sub-series are several letters from Harold Parsons in 1967, late 1960s letters from various artists (Keeichi Hayano, Stanley Landsman, Roy Lichtenstein, Robert Rauschenberg, Wayne Thiebaud, Ernest Trova, and Tom Wesselman) regarding prints for the Print Society to sell, and letters from 1974 related to Coe’s trip to Europe to find potential Native American art to use in the ...

Scope and Contents From the Sub-Series: This sub-series, arranged chronologically, contains letters to and from Ralph Coe. Of particular note in this sub-series are several letters from Harold Parsons in 1967, late 1960s letters from various artists (Keeichi Hayano, Stanley Landsman, Roy Lichtenstein, Robert Rauschenberg, Wayne Thiebaud, Ernest Trova, and Tom Wesselman) regarding prints for the Print Society to sell, and letters from 1974 related to Coe’s trip to Europe to find potential Native American art to use in the ...

Scope and Contents From the Sub-Series: This sub-series, arranged chronologically, contains letters to and from Ralph Coe. Of particular note in this sub-series are several letters from Harold Parsons in 1967, late 1960s letters from various artists (Keeichi Hayano, Stanley Landsman, Roy Lichtenstein, Robert Rauschenberg, Wayne Thiebaud, Ernest Trova, and Tom Wesselman) regarding prints for the Print Society to sell, and letters from 1974 related to Coe’s trip to Europe to find potential Native American art to use in the ...

Scope and Contents From the Sub-Series:

This sub-series is arranged alphabetically by name of the art dealer. It mostly contains correspondence from dealers querying if the Museum wanted to buy particular works they had for sale. Most also have attached responses declining the opportunity to purchase. There doesn’t appear to be any art procured by the Museum in this sub-series. The sub-series also includes invitations to exhibitions and exhibition catalogs.

Scope and Contents From the Sub-Series:

This sub-series is arranged alphabetically by name of the art dealer. It mostly contains correspondence from dealers querying if the Museum wanted to buy particular works they had for sale. Most also have attached responses declining the opportunity to purchase. There doesn’t appear to be any art procured by the Museum in this sub-series. The sub-series also includes invitations to exhibitions and exhibition catalogs.

Scope and Contents From the Sub-Series:

This sub-series is arranged alphabetically by name of the art dealer. It mostly contains correspondence from dealers querying if the Museum wanted to buy particular works they had for sale. Most also have attached responses declining the opportunity to purchase. There doesn’t appear to be any art procured by the Museum in this sub-series. The sub-series also includes invitations to exhibitions and exhibition catalogs.

Scope and Contents Note From the Series: This series, arranged chronologically, is composed entirely of correspondence to and from Laurence Sickman, who held the position of Assistant Director from the creation of the position in 1946 until he was promoted to acting Director in 1953. The letters contained are predominately from individuals or employees of other museums asking for advice on purchasing art or requesting to view portions of the Museum’s art collection. Also included in this series are letters to and from Katherine...

Scope and Contents Note From the Series: This series, arranged chronologically, is composed entirely of correspondence to and from Laurence Sickman, who held the position of Assistant Director from the creation of the position in 1946 until he was promoted to acting Director in 1953. The letters contained are predominately from individuals or employees of other museums asking for advice on purchasing art or requesting to view portions of the Museum’s art collection. Also included in this series are letters to and from Katherine...