Box RG24/10.02

This series is composed of material about an audio tour guide script, attendance records for the Kansas City venue, museum security procedures, the visit from the exhibition's Chinese curators, and a proposed replica of the Flying Horse of Kansu to be built in the city. The series also contains photographs and drafts of two educational books on the exhibit.

This series is composed of material about an audio tour guide script, attendance records for the Kansas City venue, museum security procedures, the visit from the exhibition's Chinese curators, and a proposed replica of the Flying Horse of Kansu to be built in the city. The series also contains photographs and drafts of two educational books on the exhibit.

This series is composed of material about an audio tour guide script, attendance records for the Kansas City venue, museum security procedures, the visit from the exhibition's Chinese curators, and a proposed replica of the Flying Horse of Kansu to be built in the city. The series also contains photographs and drafts of two educational books on the exhibit.

This series is composed of material about an audio tour guide script, attendance records for the Kansas City venue, museum security procedures, the visit from the exhibition's Chinese curators, and a proposed replica of the Flying Horse of Kansu to be built in the city. The series also contains photographs and drafts of two educational books on the exhibit.

This series contains correspondence, payment records, event schedules, and other materials related to the conference, symposium, and lectures given in support of the exhibit. Marc Wilson, Lindsay Hughes Cooper (the Nelson's one-time Assistant Curator of Oriental Art), Dr. Carla Zainie (a professor at the University of Kansas), and Joan Stanley-Baker (the head of educational programs for the exhibition), were responsible for giving the majority of the lectures.

This series contains correspondence, payment records, event schedules, and other materials related to the conference, symposium, and lectures given in support of the exhibit. Marc Wilson, Lindsay Hughes Cooper (the Nelson's one-time Assistant Curator of Oriental Art), Dr. Carla Zainie (a professor at the University of Kansas), and Joan Stanley-Baker (the head of educational programs for the exhibition), were responsible for giving the majority of the lectures.

This series contains correspondence, payment records, event schedules, and other materials related to the conference, symposium, and lectures given in support of the exhibit. Marc Wilson, Lindsay Hughes Cooper (the Nelson's one-time Assistant Curator of Oriental Art), Dr. Carla Zainie (a professor at the University of Kansas), and Joan Stanley-Baker (the head of educational programs for the exhibition), were responsible for giving the majority of the lectures.

This series contains correspondence, payment records, event schedules, and other materials related to the conference, symposium, and lectures given in support of the exhibit. Marc Wilson, Lindsay Hughes Cooper (the Nelson's one-time Assistant Curator of Oriental Art), Dr. Carla Zainie (a professor at the University of Kansas), and Joan Stanley-Baker (the head of educational programs for the exhibition), were responsible for giving the majority of the lectures.

This series contains correspondence, payment records, event schedules, and other materials related to the conference, symposium, and lectures given in support of the exhibit. Marc Wilson, Lindsay Hughes Cooper (the Nelson's one-time Assistant Curator of Oriental Art), Dr. Carla Zainie (a professor at the University of Kansas), and Joan Stanley-Baker (the head of educational programs for the exhibition), were responsible for giving the majority of the lectures.

This series contains correspondence, payment records, event schedules, and other materials related to the conference, symposium, and lectures given in support of the exhibit. Marc Wilson, Lindsay Hughes Cooper (the Nelson's one-time Assistant Curator of Oriental Art), Dr. Carla Zainie (a professor at the University of Kansas), and Joan Stanley-Baker (the head of educational programs for the exhibition), were responsible for giving the majority of the lectures.