Box RG10.01
Container
Contains 30 Results:
Bloch Building Reinstallation – Image Requests, 2004
File — Box: RG10.01, Folder: 11
Identifier: RG. 10. Series II
Scope and Contents Note
From the Record Group:
The Department of African Art Records, dated 1999 to 2018, consist of correspondence, reinstallation plans, exhibit planning for Through the Eyes of Picasso (2017-2018), departmental reports, and other miscellaneous materials. When David Binkley, longtime curator of the Department of Arts of Africa, Oceania, and the Americas(AOA), left the museum in 1999, it spurred the decision to split AOA into the Department of African Art and the Department of Native...
Dates:
2004
Bloch Building Reinstallation – Interpretation, around 2001-2004
File — Box: RG10.01, Folder: 12
Identifier: RG. 10. Series II
Scope and Contents Note
From the Record Group:
The Department of African Art Records, dated 1999 to 2018, consist of correspondence, reinstallation plans, exhibit planning for Through the Eyes of Picasso (2017-2018), departmental reports, and other miscellaneous materials. When David Binkley, longtime curator of the Department of Arts of Africa, Oceania, and the Americas(AOA), left the museum in 1999, it spurred the decision to split AOA into the Department of African Art and the Department of Native...
Dates:
around 2001-2004
Bloch Building Reinstallation – Website, 2004
File — Box: RG10.01, Folder: 13
Identifier: RG. 10. Series II
Scope and Contents Note
From the Record Group:
The Department of African Art Records, dated 1999 to 2018, consist of correspondence, reinstallation plans, exhibit planning for Through the Eyes of Picasso (2017-2018), departmental reports, and other miscellaneous materials. When David Binkley, longtime curator of the Department of Arts of Africa, Oceania, and the Americas(AOA), left the museum in 1999, it spurred the decision to split AOA into the Department of African Art and the Department of Native...
Dates:
2004
2013/2015 Reinstallation – Checklists and labels, 2013
File — Box: RG10.01, Folder: 14
Identifier: RG. 10. Series II
Scope and Contents Note
From the Record Group:
The Department of African Art Records, dated 1999 to 2018, consist of correspondence, reinstallation plans, exhibit planning for Through the Eyes of Picasso (2017-2018), departmental reports, and other miscellaneous materials. When David Binkley, longtime curator of the Department of Arts of Africa, Oceania, and the Americas(AOA), left the museum in 1999, it spurred the decision to split AOA into the Department of African Art and the Department of Native...
Dates:
2013
2013/2015 Reinstallation – Design, 2013-2015
File — Box: RG10.01, Folder: 15
Identifier: RG. 10. Series II
Scope and Contents Note
From the Record Group:
The Department of African Art Records, dated 1999 to 2018, consist of correspondence, reinstallation plans, exhibit planning for Through the Eyes of Picasso (2017-2018), departmental reports, and other miscellaneous materials. When David Binkley, longtime curator of the Department of Arts of Africa, Oceania, and the Americas(AOA), left the museum in 1999, it spurred the decision to split AOA into the Department of African Art and the Department of Native...
Dates:
2013-2015
2013/2015 Reinstallation – General planning, 2013-2015
File — Box: RG10.01, Folder: 16
Identifier: RG. 10. Series II
Scope and Contents Note
From the Record Group:
The Department of African Art Records, dated 1999 to 2018, consist of correspondence, reinstallation plans, exhibit planning for Through the Eyes of Picasso (2017-2018), departmental reports, and other miscellaneous materials. When David Binkley, longtime curator of the Department of Arts of Africa, Oceania, and the Americas(AOA), left the museum in 1999, it spurred the decision to split AOA into the Department of African Art and the Department of Native...
Dates:
2013-2015
2013/2015 Reinstallation – Hall loans remediation, 2015
File — Box: RG10.01, Folder: 17
Identifier: RG. 10. Series II
Scope and Contents Note
From the Record Group:
The Department of African Art Records, dated 1999 to 2018, consist of correspondence, reinstallation plans, exhibit planning for Through the Eyes of Picasso (2017-2018), departmental reports, and other miscellaneous materials. When David Binkley, longtime curator of the Department of Arts of Africa, Oceania, and the Americas(AOA), left the museum in 1999, it spurred the decision to split AOA into the Department of African Art and the Department of Native...
Dates:
2015
2013/2015 Reinstallation – Interpretation, 2013
File — Box: RG10.01, Folder: 18
Identifier: RG. 10. Series II
Scope and Contents Note
From the Record Group:
The Department of African Art Records, dated 1999 to 2018, consist of correspondence, reinstallation plans, exhibit planning for Through the Eyes of Picasso (2017-2018), departmental reports, and other miscellaneous materials. When David Binkley, longtime curator of the Department of Arts of Africa, Oceania, and the Americas(AOA), left the museum in 1999, it spurred the decision to split AOA into the Department of African Art and the Department of Native...
Dates:
2013
Through the Eyes of Picasso Planning, 2017-2018
File — Box: RG10.01, Folder: 19
Identifier: RG. 10. Series II
Scope and Contents Note
From the Record Group:
The Department of African Art Records, dated 1999 to 2018, consist of correspondence, reinstallation plans, exhibit planning for Through the Eyes of Picasso (2017-2018), departmental reports, and other miscellaneous materials. When David Binkley, longtime curator of the Department of Arts of Africa, Oceania, and the Americas(AOA), left the museum in 1999, it spurred the decision to split AOA into the Department of African Art and the Department of Native...
Dates:
2017-2018
Potential Exhibitions, approximately 2000-2018
File — Box: RG10.01, Folder: 20
Identifier: RG. 10. Series II
Scope and Contents Note
From the Record Group:
The Department of African Art Records, dated 1999 to 2018, consist of correspondence, reinstallation plans, exhibit planning for Through the Eyes of Picasso (2017-2018), departmental reports, and other miscellaneous materials. When David Binkley, longtime curator of the Department of Arts of Africa, Oceania, and the Americas(AOA), left the museum in 1999, it spurred the decision to split AOA into the Department of African Art and the Department of Native...
Dates:
approximately 2000-2018