Box RG24/05.01
Contains 8 Results:
London Show, 1972-1977
The sub-series contains correspondence to and from Ralph T. Coe concerning people and groups who either visited or were planning to visit the exhibition. Also included are letters regarding the organization and showing of Sacred Circles in London.
Opening, 1976-1977
The sub-series contains correspondence to and from Ralph T. Coe concerning people and groups who either visited or were planning to visit the exhibition. Also included are letters regarding the organization and showing of Sacred Circles in London.
Visitors, 1976-1978
The sub-series contains correspondence to and from Ralph T. Coe concerning people and groups who either visited or were planning to visit the exhibition. Also included are letters regarding the organization and showing of Sacred Circles in London.
Thank You's, 1977
The sub-series contains correspondence to and from Ralph T. Coe concerning people and groups who either visited or were planning to visit the exhibition. Also included are letters regarding the organization and showing of Sacred Circles in London.
Miscellaneous, 1975-1977
The sub-series contains correspondence to and from Ralph T. Coe concerning people and groups who either visited or were planning to visit the exhibition. Also included are letters regarding the organization and showing of Sacred Circles in London.
Robert Martin, 1976-1977
This sub-series consists of correspondence to and from Robert Martin, who was the Project Director for the North American showing of Sacred Circles. The letters primarily relate to Martin’s dealings with the media and their coverage of the exhibition.
Beverly Rosenberg, 1976-1977
This sub-series is comprised of correspondence to and from Martin’s assistant, Beverly Rosenberg. The letters are mostly requests to book speakers who lecture about topics associated with the exhibition, or for information and material related to the exhibition.
Lenders, A-Z, 1972-1978
This series contains correspondence, loan forms, and loan lists from institutions and private individuals that loaned objects to the London and Kansas City venues of the exhibition.