Box RG01/04.10
Contains 15 Results:
Master European Drawings from Polish Collections, 1990
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Andrew Wyeth: Autobiography, 1993
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Ken Ferguson, 1989-1995
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Across Continents and Cultures: The Life and Art of Henry Ossawa Tanner, 1993-1995
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Eternal Egypt: Masterworks of Ancient Art from the British Museum, 2002
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.