Box RG01/04.10
Contains 15 Results:
Impressionism: Selections from Five American Museums, 1987-1991
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Jacques Lipchitz: A Life in Sculpture, 1990
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
A Spectrum of Innovation: Color in American Printmaking 1890-1960, 1989
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Japonisme Comes to America: The Graphic Arts 1876-1925, 1989
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Treasures of the Jewish Museum, 1990-1991
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
The Intelligence of Forms: An Artist Collects African Art, 1990-1991
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Revelaciones: The Art of Manuel Alvarez Bravo, 1990
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Design 1935-1965: What Modern Was, 1991
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Century of Tung Ch’i-Ch’ang 1555-1636, 1988-1993
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Rookwood Pottery: The Glorious Gamble, 1992
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.