Box RG01/04.09
Contains 8 Results:
A Taste for Angels: Neapolitan Painting in North America 1650-1750, 1986-1988
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Impressionist and Post-Impressionist Masterpieces: The Courtauld Collection, 1986-1988
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Human Figures in Early Greek Art, 1987-1988
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Mid-America Biennial, 1988
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Potter’s Choice II, 1989
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Thomas Hart Benton: An American Original, 1988-1989
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Yani: Brush of Innocence, 1986-1989
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.
Impressionism: Selections from Five American Museums, 1987-1991
This series, arranged chronologically according to exhibition date, is composed of correspondence, loan forms, checklists, contracts, and other miscellaneous material related to exhibitions held at the Museum. In this series, the exhibitions which the Museum originated are the most thoroughly documented, notably, Yani: Brush of Innocence and The Century of Tung Ch’i-Ch’ang.