Box RG24/40.02
Contains 52 Results:
The Museum of Modern Art, 1995-1997
Found in this sub-series are lender lists, list of lenders not used in the final exhibition, letters of inquiry to potential lenders, correspondence, loan requests, photographs, loan agreements, and reproduction permission forms.
National Museum of American Art, 1995-1997
Found in this sub-series are lender lists, list of lenders not used in the final exhibition, letters of inquiry to potential lenders, correspondence, loan requests, photographs, loan agreements, and reproduction permission forms.
The Regis Collection, 1995-1997
Found in this sub-series are lender lists, list of lenders not used in the final exhibition, letters of inquiry to potential lenders, correspondence, loan requests, photographs, loan agreements, and reproduction permission forms.
The Snite Museum of Art, 1995-1997
Found in this sub-series are lender lists, list of lenders not used in the final exhibition, letters of inquiry to potential lenders, correspondence, loan requests, photographs, loan agreements, and reproduction permission forms.
Spencer Museum of Art, 1995-1997
Found in this sub-series are lender lists, list of lenders not used in the final exhibition, letters of inquiry to potential lenders, correspondence, loan requests, photographs, loan agreements, and reproduction permission forms.
Städtische Galerie im Lenbachhaus, 1995-1997
Found in this sub-series are lender lists, list of lenders not used in the final exhibition, letters of inquiry to potential lenders, correspondence, loan requests, photographs, loan agreements, and reproduction permission forms.
Begräbnis (1914), 1996
Consists of conservation information, correspondence, insurance receipts, object documentation, examination checklists, loan agreements, records of treatment, check requests, movement forms, and reproduction permission forms.
Clowns von Albert Bloch (undated), 1995-1996
Consists of conservation information, correspondence, insurance receipts, object documentation, examination checklists, loan agreements, records of treatment, check requests, movement forms, and reproduction permission forms.
Museum/Gallery Lenders, Frieze for a Music Room (1915), 1995-1996
Consists of conservation information, correspondence, insurance receipts, object documentation, examination checklists, loan agreements, records of treatment, check requests, movement forms, and reproduction permission forms.
Highway (1920), 1974-1997
Consists of conservation information, correspondence, insurance receipts, object documentation, examination checklists, loan agreements, records of treatment, check requests, movement forms, and reproduction permission forms.