Box RG03.S01.02
Contains 20 Results:
David Beals, 1985-1994
This subseries includes Ward’s correspondence, memos, and subject files related to acquisitions, exhibits, artists, projects, publications, professional activities.
A Bountiful Decade Exhibit, 1983-1997
This subseries includes Ward’s correspondence, memos, and subject files related to acquisitions, exhibits, artists, projects, publications, professional activities.
Burghley House, 1993
This subseries includes Ward’s correspondence, memos, and subject files related to acquisitions, exhibits, artists, projects, publications, professional activities.
Burlington Magazine, 1982-1994
This subseries includes Ward’s correspondence, memos, and subject files related to acquisitions, exhibits, artists, projects, publications, professional activities.
Corrado Giaquinto Exhibit, 1988-1989
This subseries includes Ward’s correspondence, memos, and subject files related to acquisitions, exhibits, artists, projects, publications, professional activities.
Correspondence, 1982-1983
This subseries includes Ward’s correspondence, memos, and subject files related to acquisitions, exhibits, artists, projects, publications, professional activities.
Correspondence, 1983-1984
This subseries includes Ward’s correspondence, memos, and subject files related to acquisitions, exhibits, artists, projects, publications, professional activities.
Correspondence, 1984-1985
This subseries includes Ward’s correspondence, memos, and subject files related to acquisitions, exhibits, artists, projects, publications, professional activities.
Correspondence, 1985-1986
This subseries includes Ward’s correspondence, memos, and subject files related to acquisitions, exhibits, artists, projects, publications, professional activities.
Rockhurst, Van Ackeren Gallery, 1972-1978
This subseries includes Ralph T. "Ted" Coe’s general correspondence (1957-1965) and correspondence with dealers and former European Art Advisor Harold Woodbury Parsons, as well as subject files related to his publications, museum groups, and other personal and professional activities. Coe came to the Nelson-Atkins in 1959 as Curator of Painting and Sculpture. He became Director in 1977; consequently, Edgar Peters Bowron was hired as Curator of Rennaisance and Baroque Art.