Box RG03.S01.02

This subseries includes Ralph T. "Ted" Coe’s general correspondence (1957-1965) and correspondence with dealers and former European Art Advisor Harold Woodbury Parsons, as well as subject files related to his publications, museum groups, and other personal and professional activities. Coe came to the Nelson-Atkins in 1959 as Curator of Painting and Sculpture. He became Director in 1977; consequently, Edgar Peters Bowron was hired as Curator of Rennaisance and Baroque Art.

This subseries includes Ralph T. "Ted" Coe’s general correspondence (1957-1965) and correspondence with dealers and former European Art Advisor Harold Woodbury Parsons, as well as subject files related to his publications, museum groups, and other personal and professional activities. Coe came to the Nelson-Atkins in 1959 as Curator of Painting and Sculpture. He became Director in 1977; consequently, Edgar Peters Bowron was hired as Curator of Rennaisance and Baroque Art.

This subseries includes Ralph T. "Ted" Coe’s general correspondence (1957-1965) and correspondence with dealers and former European Art Advisor Harold Woodbury Parsons, as well as subject files related to his publications, museum groups, and other personal and professional activities. Coe came to the Nelson-Atkins in 1959 as Curator of Painting and Sculpture. He became Director in 1977; consequently, Edgar Peters Bowron was hired as Curator of Rennaisance and Baroque Art.

This subseries includes Ralph T. "Ted" Coe’s general correspondence (1957-1965) and correspondence with dealers and former European Art Advisor Harold Woodbury Parsons, as well as subject files related to his publications, museum groups, and other personal and professional activities. Coe came to the Nelson-Atkins in 1959 as Curator of Painting and Sculpture. He became Director in 1977; consequently, Edgar Peters Bowron was hired as Curator of Rennaisance and Baroque Art.

This subseries includes Ralph T. "Ted" Coe’s general correspondence (1957-1965) and correspondence with dealers and former European Art Advisor Harold Woodbury Parsons, as well as subject files related to his publications, museum groups, and other personal and professional activities. Coe came to the Nelson-Atkins in 1959 as Curator of Painting and Sculpture. He became Director in 1977; consequently, Edgar Peters Bowron was hired as Curator of Rennaisance and Baroque Art.

This subseries includes Ralph T. "Ted" Coe’s general correspondence (1957-1965) and correspondence with dealers and former European Art Advisor Harold Woodbury Parsons, as well as subject files related to his publications, museum groups, and other personal and professional activities. Coe came to the Nelson-Atkins in 1959 as Curator of Painting and Sculpture. He became Director in 1977; consequently, Edgar Peters Bowron was hired as Curator of Rennaisance and Baroque Art.

This subseries includes Ralph T. "Ted" Coe’s general correspondence (1957-1965) and correspondence with dealers and former European Art Advisor Harold Woodbury Parsons, as well as subject files related to his publications, museum groups, and other personal and professional activities. Coe came to the Nelson-Atkins in 1959 as Curator of Painting and Sculpture. He became Director in 1977; consequently, Edgar Peters Bowron was hired as Curator of Rennaisance and Baroque Art.

This subseries includes Ralph T. "Ted" Coe’s general correspondence (1957-1965) and correspondence with dealers and former European Art Advisor Harold Woodbury Parsons, as well as subject files related to his publications, museum groups, and other personal and professional activities. Coe came to the Nelson-Atkins in 1959 as Curator of Painting and Sculpture. He became Director in 1977; consequently, Edgar Peters Bowron was hired as Curator of Rennaisance and Baroque Art.

This subseries includes Ralph T. "Ted" Coe’s general correspondence (1957-1965) and correspondence with dealers and former European Art Advisor Harold Woodbury Parsons, as well as subject files related to his publications, museum groups, and other personal and professional activities. Coe came to the Nelson-Atkins in 1959 as Curator of Painting and Sculpture. He became Director in 1977; consequently, Edgar Peters Bowron was hired as Curator of Rennaisance and Baroque Art.

This subseries includes Ward’s correspondence, memos, and subject files related to acquisitions, exhibits, artists, projects, publications, professional activities.