Box RG03.S01.01
Contains 20 Results:
Correspondence, 1960
This subseries includes Ralph T. "Ted" Coe’s general correspondence (1957-1965) and correspondence with dealers and former European Art Advisor Harold Woodbury Parsons, as well as subject files related to his publications, museum groups, and other personal and professional activities. Coe came to the Nelson-Atkins in 1959 as Curator of Painting and Sculpture. He became Director in 1977; consequently, Edgar Peters Bowron was hired as Curator of Rennaisance and Baroque Art.
Correspondence, 1961
This subseries includes Ralph T. "Ted" Coe’s general correspondence (1957-1965) and correspondence with dealers and former European Art Advisor Harold Woodbury Parsons, as well as subject files related to his publications, museum groups, and other personal and professional activities. Coe came to the Nelson-Atkins in 1959 as Curator of Painting and Sculpture. He became Director in 1977; consequently, Edgar Peters Bowron was hired as Curator of Rennaisance and Baroque Art.
Correspondence, 1962
This subseries includes Ralph T. "Ted" Coe’s general correspondence (1957-1965) and correspondence with dealers and former European Art Advisor Harold Woodbury Parsons, as well as subject files related to his publications, museum groups, and other personal and professional activities. Coe came to the Nelson-Atkins in 1959 as Curator of Painting and Sculpture. He became Director in 1977; consequently, Edgar Peters Bowron was hired as Curator of Rennaisance and Baroque Art.
Correspondence, 1963
This subseries includes Ralph T. "Ted" Coe’s general correspondence (1957-1965) and correspondence with dealers and former European Art Advisor Harold Woodbury Parsons, as well as subject files related to his publications, museum groups, and other personal and professional activities. Coe came to the Nelson-Atkins in 1959 as Curator of Painting and Sculpture. He became Director in 1977; consequently, Edgar Peters Bowron was hired as Curator of Rennaisance and Baroque Art.
Correspondence, 1964
This subseries includes Ralph T. "Ted" Coe’s general correspondence (1957-1965) and correspondence with dealers and former European Art Advisor Harold Woodbury Parsons, as well as subject files related to his publications, museum groups, and other personal and professional activities. Coe came to the Nelson-Atkins in 1959 as Curator of Painting and Sculpture. He became Director in 1977; consequently, Edgar Peters Bowron was hired as Curator of Rennaisance and Baroque Art.
Correspondence, Harold Woodbury Parsons to Coe, 1959-1965
This subseries includes Ralph T. "Ted" Coe’s general correspondence (1957-1965) and correspondence with dealers and former European Art Advisor Harold Woodbury Parsons, as well as subject files related to his publications, museum groups, and other personal and professional activities. Coe came to the Nelson-Atkins in 1959 as Curator of Painting and Sculpture. He became Director in 1977; consequently, Edgar Peters Bowron was hired as Curator of Rennaisance and Baroque Art.
Correspondence, Montgomery Schuyler, 1959-1964
This subseries includes Ralph T. "Ted" Coe’s general correspondence (1957-1965) and correspondence with dealers and former European Art Advisor Harold Woodbury Parsons, as well as subject files related to his publications, museum groups, and other personal and professional activities. Coe came to the Nelson-Atkins in 1959 as Curator of Painting and Sculpture. He became Director in 1977; consequently, Edgar Peters Bowron was hired as Curator of Rennaisance and Baroque Art.
Business Men’s Association, 1962-1963
This subseries includes Ralph T. "Ted" Coe’s general correspondence (1957-1965) and correspondence with dealers and former European Art Advisor Harold Woodbury Parsons, as well as subject files related to his publications, museum groups, and other personal and professional activities. Coe came to the Nelson-Atkins in 1959 as Curator of Painting and Sculpture. He became Director in 1977; consequently, Edgar Peters Bowron was hired as Curator of Rennaisance and Baroque Art.
Dealers A-J, 1958-1961
This subseries includes Ralph T. "Ted" Coe’s general correspondence (1957-1965) and correspondence with dealers and former European Art Advisor Harold Woodbury Parsons, as well as subject files related to his publications, museum groups, and other personal and professional activities. Coe came to the Nelson-Atkins in 1959 as Curator of Painting and Sculpture. He became Director in 1977; consequently, Edgar Peters Bowron was hired as Curator of Rennaisance and Baroque Art.
Dealers K-P, 1959-1961
This subseries includes Ralph T. "Ted" Coe’s general correspondence (1957-1965) and correspondence with dealers and former European Art Advisor Harold Woodbury Parsons, as well as subject files related to his publications, museum groups, and other personal and professional activities. Coe came to the Nelson-Atkins in 1959 as Curator of Painting and Sculpture. He became Director in 1977; consequently, Edgar Peters Bowron was hired as Curator of Rennaisance and Baroque Art.