Box MSS011.03
Contains 34 Results:
“Mixtec Treas.[ure]", 1967
This series is composed of the photographic materials which document the activity of Roth’s restoration projects as well as a conservation exhibition Roth helped arrange at the Joslyn Art Museum in 1950 titled Paint: History and Techniques. This series also contains X-rays and slides of specific works and photographs of both Roth and his colleagues.
“Granacci, Personal (Honolulu)”, 1973
This series is composed of the photographic materials which document the activity of Roth’s restoration projects as well as a conservation exhibition Roth helped arrange at the Joslyn Art Museum in 1950 titled Paint: History and Techniques. This series also contains X-rays and slides of specific works and photographs of both Roth and his colleagues.
“Granacci, Personal (Honolulu)” (cont.), 1973
This series is composed of the photographic materials which document the activity of Roth’s restoration projects as well as a conservation exhibition Roth helped arrange at the Joslyn Art Museum in 1950 titled Paint: History and Techniques. This series also contains X-rays and slides of specific works and photographs of both Roth and his colleagues.
“Flemish Panel, Oshkosh Mus.[eum]”, 1972
This series is composed of the photographic materials which document the activity of Roth’s restoration projects as well as a conservation exhibition Roth helped arrange at the Joslyn Art Museum in 1950 titled Paint: History and Techniques. This series also contains X-rays and slides of specific works and photographs of both Roth and his colleagues.
“Flemish Panel, Toledo Museum - clean”, 1972
This series is composed of the photographic materials which document the activity of Roth’s restoration projects as well as a conservation exhibition Roth helped arrange at the Joslyn Art Museum in 1950 titled Paint: History and Techniques. This series also contains X-rays and slides of specific works and photographs of both Roth and his colleagues.
“Transfer, Benjamin West (Witte Museum)”, 1965
This series is composed of the photographic materials which document the activity of Roth’s restoration projects as well as a conservation exhibition Roth helped arrange at the Joslyn Art Museum in 1950 titled Paint: History and Techniques. This series also contains X-rays and slides of specific works and photographs of both Roth and his colleagues.
“Transfer, Benjamin West (Witte Museum)” (cont.), 1965
This series is composed of the photographic materials which document the activity of Roth’s restoration projects as well as a conservation exhibition Roth helped arrange at the Joslyn Art Museum in 1950 titled Paint: History and Techniques. This series also contains X-rays and slides of specific works and photographs of both Roth and his colleagues.
“Bingham, unfinished portrait (Forest Hills; Portrait of Girl)", 1969
This series is composed of the photographic materials which document the activity of Roth’s restoration projects as well as a conservation exhibition Roth helped arrange at the Joslyn Art Museum in 1950 titled Paint: History and Techniques. This series also contains X-rays and slides of specific works and photographs of both Roth and his colleagues.
“Titian - Lucretia - Personal”, 1971-1973
This series is composed of the photographic materials which document the activity of Roth’s restoration projects as well as a conservation exhibition Roth helped arrange at the Joslyn Art Museum in 1950 titled Paint: History and Techniques. This series also contains X-rays and slides of specific works and photographs of both Roth and his colleagues.
“Wichita Art Mus.[eum] - damaged ptgs [paintings]”, 1972
This series is composed of the photographic materials which document the activity of Roth’s restoration projects as well as a conservation exhibition Roth helped arrange at the Joslyn Art Museum in 1950 titled Paint: History and Techniques. This series also contains X-rays and slides of specific works and photographs of both Roth and his colleagues.