Box MSS011.03
Contains 34 Results:
“Studio and Equipment” (cont.), 1962-1973
This series is composed of the photographic materials which document the activity of Roth’s restoration projects as well as a conservation exhibition Roth helped arrange at the Joslyn Art Museum in 1950 titled Paint: History and Techniques. This series also contains X-rays and slides of specific works and photographs of both Roth and his colleagues.
“Sub-treatment over-paint fakes - Hunting Scene (Fake) F. Herring (Kemper); Bassano (Fake) WRNG, Painting superimposed”, 1965-1968
This series is composed of the photographic materials which document the activity of Roth’s restoration projects as well as a conservation exhibition Roth helped arrange at the Joslyn Art Museum in 1950 titled Paint: History and Techniques. This series also contains X-rays and slides of specific works and photographs of both Roth and his colleagues.
“Flemish Panels - Emma Bunker”, 1968-1969
This series is composed of the photographic materials which document the activity of Roth’s restoration projects as well as a conservation exhibition Roth helped arrange at the Joslyn Art Museum in 1950 titled Paint: History and Techniques. This series also contains X-rays and slides of specific works and photographs of both Roth and his colleagues.
“Flemins Panels (cont.) - “Millet - Tweed Gallery - Univ.[ersity] of Minn.[esota]; Bononi - U.[niversity] of Wisconsin”, 1969
This series is composed of the photographic materials which document the activity of Roth’s restoration projects as well as a conservation exhibition Roth helped arrange at the Joslyn Art Museum in 1950 titled Paint: History and Techniques. This series also contains X-rays and slides of specific works and photographs of both Roth and his colleagues.
“Transfer: Bronzine Flemish Panel”, 1962
This series is composed of the photographic materials which document the activity of Roth’s restoration projects as well as a conservation exhibition Roth helped arrange at the Joslyn Art Museum in 1950 titled Paint: History and Techniques. This series also contains X-rays and slides of specific works and photographs of both Roth and his colleagues.
“Manet - Antonin Proust (Toledo Museum)”, 1971
This series is composed of the photographic materials which document the activity of Roth’s restoration projects as well as a conservation exhibition Roth helped arrange at the Joslyn Art Museum in 1950 titled Paint: History and Techniques. This series also contains X-rays and slides of specific works and photographs of both Roth and his colleagues.
“Chardin,” cleaning, 1970
This series is composed of the photographic materials which document the activity of Roth’s restoration projects as well as a conservation exhibition Roth helped arrange at the Joslyn Art Museum in 1950 titled Paint: History and Techniques. This series also contains X-rays and slides of specific works and photographs of both Roth and his colleagues.
“Cranach, Adam and Eve”, 1970
This series is composed of the photographic materials which document the activity of Roth’s restoration projects as well as a conservation exhibition Roth helped arrange at the Joslyn Art Museum in 1950 titled Paint: History and Techniques. This series also contains X-rays and slides of specific works and photographs of both Roth and his colleagues.
“Luini, Panel Transfer”, 1967
This series is composed of the photographic materials which document the activity of Roth’s restoration projects as well as a conservation exhibition Roth helped arrange at the Joslyn Art Museum in 1950 titled Paint: History and Techniques. This series also contains X-rays and slides of specific works and photographs of both Roth and his colleagues.
“Luini, Panel Transfer” (cont.), 1967
This series is composed of the photographic materials which document the activity of Roth’s restoration projects as well as a conservation exhibition Roth helped arrange at the Joslyn Art Museum in 1950 titled Paint: History and Techniques. This series also contains X-rays and slides of specific works and photographs of both Roth and his colleagues.